"Which came first," always
sounds so obvious, until I
see the provenance in each
variable. Almost every re-
cording of Beethoven quar-
tets uses strings borrowed
from priceless collections.
Almost everyone is touched
by the audible discrepancy
between his heart and some
one else's, the instrument.
More than whose is better,
this is why one plays, and
how one's called to listen.
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